- Logic Pro X combines the best of both worlds: features to bring fresh musical ideas to life, and tools to derive the most from a performance. In this course, Scott Hirsch takes you over the Logic learning curve, showing how to compose, record, edit, and mix great sounding tracks.
- Logic Pro X User Guide (2015) I really wish I could print out the manual. Since I've already PAID for Logic Pro X and the User Manual is FREE, it doesn't make any sense that I'm not allowed to print it in any way so that I can refer to it while the app is open on my MacBook Pro.
- Logic Pro X is a software programs created by Apple for the purpose of producing music. These instructions are designed for those individuals who have a background in music production and/or are well versed in music theory. The following steps explain the basics on how to set up and create a song in Logic Pro X.
- DAWs >Logic
What's the best way to get tutored in Logic software? I'm new to Mac, but switched from PC partly to enjoy the improvements in music/media work. Would Logic tutoring come best from a textbook, or are there training videos, or Apple Store classes?
While not as elegant as Pro Tools' Clip Gain function, Logic does offer a functional alternative for evening out a track's volume. It even adjusts the waveform's size to reflect the new volume.
We offer six Logic Pro X tips and tricks that you might not know about.
Let's try something different this month. Rather than focus on a specific problem, I'm going to offer up some of my favourite techniques and workflows, many of which I've found invaluable! Some of these have been covered in SOS before, while some may be brand new to you, but the idea is to shake you out of your Logic patterns and introduce you to some new ways of doing things, without you having to get your hands too dirty.
No Pain, No Gain
One feature of Pro Tools that I've recently become envious of is Clip Gain: the ability to adjust the level of a region within a track without using the volume fader or automation. You can imagine how excited I was to learn that Logic has its own version of Clip Gain. It's not as obvious as a little fader on each region, though, so it took me a little digging to find it.
Simply put, when you have an audio region selected, turn your attention to the Region Inspector box (open the Inspector Column to make it visible). From there, all you need to do is adjust the Gain field (see above). You'll notice that this will adjust the waveform size to match the tweaks, ostensibly altering your recording level for the selected region. Admittedly, I overlooked this feature due to the fact that the Region Inspector defaults to MIDI parameters — it's only with audio selected that the Gain option appears.
As with most of Logic's functions, you can adjust the gain for multiple regions at once if they are all selected. When working on a track with multiple regions, it might be a good idea to grab the Region Inspector (the pointer turns to a hand) and drag it to the area where you're working; at least until they provide a Key Command for changing a region's gain.
Power Failure
You know that scene in teenage coming-of-age movies where the parents open the front door just when the kid's party is in full steam? Invariably, you'll hear the sound of the music slowly dying down as if the power has been shut off. There are several ways to create this effect, but Logic has some tools to streamline the process.
Start by placing the locators from a little before you want the track to start slowing down, and ending where you want the clip to end.
Next, bounce the track as you normally would. Disable any bus processing since this mix will be played in your session (and thus would otherwise be going through the bus processing twice). You could use Bounce In Place at this point but, depending on what plug-ins you are using and where, the results may vary.
Mute the regions you just bounced. Import the audio from your Bounces folder (or the Project Audio List) and place it in its original spot (a tip on this is coming up). Mobile pc download.
Now right-click on the region and select Convert / Convert To New Sampler Track (or use the appropriate key command). Give it a name and choose a starting trigger note that's easy to get to on your keyboard. Select OK. Logic will create a track with a new EXS24 instrument. When you hit the trigger key that you chose, you should hear the portion of the song you originally selected. Even better, Logic will automatically create a MIDI region with the sample key already activated.
Mute the bounced audio, open the EXS24 instrument, and change the pitch-bend range to 12. Now you can slow down your track with the Pitch-Bend wheel, and perform it to taste.
This may seem a little convoluted, but explaining the procedure is more time-consuming than the actual execution.
After bouncing and muting the portion of the song between the locators, create an EXS24 instrument of the bounce (using ‘Convert To New Sampler Track'). Then change the pitch-bend range to 12 and play in the effect.
Back Where You Belong
I'm embarrassed and annoyed that it took me so long to stumble onto the key command for ‘Move To Original Recording Position' (Cmd+Click the relevant region, go to ‘Move', and the key command as configured on your system will be listed there). This one little manoeuvre has since become such a go-to that I actually harbour resentment towards anyone who knew about it and didn't tell me. Village people party slots.
In its most basic function, it can be used when you accidentally move an audio region and aren't sure where it came from (caffeine addicts like me know what I'm talking about). Or if you've been editing audio and realise it all sounded better before you started messing around and want everything back where it was.
But it goes deeper than that. For instance, in the slow-down effect I just spoke about, at the point where you import the audio, instead of putting it between the locators, you can just drop it anywhere and hit this key command, and viola! The region is where it should be. Free online blackjack with other players.
This is also a great tool when dealing with tracks for video. Now that most post-production people are spoiled by composers sending them one audio track per reel, they are annoyed by the extra work of placing each cue individually. No problem, you can do it for them. Just grab all your mixes, drop them into a new session, engage Move To Original Recording Position and the files will snap into place.
Slice & Dice
Did you know that holding Shift while cutting a region will cut it into equal segments? At whatever point you use the Scissor tool to make the first cut (measure, quarter note, etc.), Logic will make identical cuts for the duration of the region. This is a simple way to make stutter edits and gating effects.
Once sliced, you can change the length, volume, panning and so on to create movement and motion on-the-fly. Buy slot machines online.
Constant Change
It seems like every soft synth and sample library maker uses conflicting MIDI controllers (CCs) to add life to their sounds. If you don't have a MIDI controller with enough knobs or faders, or if you don't want to reassign the MIDI implementation of each instrument, this next trick might be for you.
Just throw in the Modifier from the MIDI FX section of the instrument's fader, and in two clicks you can reassign any MIDI CC to another; you can even open multiple instances and then save the channel strip. I now do most of my sound manipulations with just one wheel and one knob.
Pick A Side
All composers for media are confronted with this scenario regularly: you are given a video to score, with dialogue on one channel and temp music on the other. If you want to hear the dialogue without the temp music, you have to pan the track to one side. Even if you don't mind hearing both at once, you cannot adjust the volume of one without it affecting the other.
You can see in the Track Editor that this file has two different elements on each side (dialogue and temp music). After copying the region to another track, I use the pull-down menu next to the input assignment to select which side of the stereo file to play.
Logic has a brilliant solution for this that doesn't involve any bouncing, converting, exporting or importing. Simply copy the stereo region to another stereo track. Now look at the channel strips for each one. The little button next to the input is where you choose if the track is stereo or mono. However, if you right-click on it, you will discover some interesting options including Left and Right (only visible on stereo tracks). These let you decide which side of the stereo file you want to hear. Put one of the tracks on Left, the other on Right, and now you can control each channel's volume and pan separately.
Hardly a week goes by that I don't find a new tool or workflow improvement under Logic's hood. As I find more, I'll let you know.
Ridiculously powerful. Seriously creative.
Live LoopsFor spontaneous composition.
Live Loops is a dynamic way to create and arrange music in real time. Kick off your composition by adding loops, samples, or your recorded performances into a grid of cells. Trigger different cells to play with your ideas without worrying about a timeline or arrangement. Once you find combinations that work well together you can create song sections, then move everything into the Tracks area to continue production and finish your song.
Remix FX
Bring DJ-style effects and transitions to an individual track or an entire mix with a collection of stutters, echoes, filters, and gating effects.
Logic Remote
Control features like Live Loops, Remix FX, and more from your iPad or iPhone using Multi-Touch gestures.
Novation Launchpad
Live Loops supports Launchpad for a tactile experience. Use an 8x8 grid of colorful and expressive pads to dynamically trigger cells, input notes, adjust mixer levels and more.
Step SequencerPure beat poetry.
Step Sequencer is inspired by classic drum machines and synthesizers. Using the Step Sequence editor, quickly build drum beats, bass lines, and melodic parts — and even automate your favorite plug-ins. Add sophisticated variations to your pattern with a wide range of creative playback behaviors. Use Note Repeat to create rolling steps, Chance to randomize step playback, and Tie Steps Together to create longer notes.
Logic RemoteTouch and flow.
Logic Remote lets you use your iPhone or iPad to control Logic Pro on your Mac. Use Multi-Touch gestures to play software instruments, mix tracks, and control features like Live Loops and Remix FX from anywhere in the room. Swipe and tap to trigger cells in Live Loops. And tilt your iPhone or iPad up and down and use its gyroscope to manipulate filters and repeaters in Remix FX.
NewSequence your beats
Program drum patterns and melodic parts from your iPad or iPhone. Create dynamic rhythmic performances, and automate your plug-ins — all with a quick tap of your finger.
Multi-Touch mixing
Control your mix from wherever you are in the room — whether that's next to your computer or on the couch — with Multi-Touch faders.
Pair and play
Use a variety of onscreen instruments, such as keyboards, guitars, and drum pads, to play any software instrument in Logic Pro from your iPad or iPhone.
Key commands
Create at the speed of sound with key commands in Logic Remote. Pm player download. Choose from curated commands for popular workflows, or create your own custom set.
Sampler
We redesigned and improved our most popular plug-in — the EXS24 Sampler — and renamed it Sampler. The new single-window design makes it easier to create and edit sampler instruments while remaining backward compatible with all EXS24 files. An expanded synthesis section with sound-shaping controls brings more depth and dynamics to your instruments. The reimagined mapping editor adds powerful, time-saving features that speed the creation of complex instruments. Use the zone waveform editor to make precise edits to sample start/end, loop ranges, and crossfades. And save hours of tedious editing with new drag-and-drop hot zones.
Quick Sampler
Pick A Side
All composers for media are confronted with this scenario regularly: you are given a video to score, with dialogue on one channel and temp music on the other. If you want to hear the dialogue without the temp music, you have to pan the track to one side. Even if you don't mind hearing both at once, you cannot adjust the volume of one without it affecting the other.
You can see in the Track Editor that this file has two different elements on each side (dialogue and temp music). After copying the region to another track, I use the pull-down menu next to the input assignment to select which side of the stereo file to play.
Logic has a brilliant solution for this that doesn't involve any bouncing, converting, exporting or importing. Simply copy the stereo region to another stereo track. Now look at the channel strips for each one. The little button next to the input is where you choose if the track is stereo or mono. However, if you right-click on it, you will discover some interesting options including Left and Right (only visible on stereo tracks). These let you decide which side of the stereo file you want to hear. Put one of the tracks on Left, the other on Right, and now you can control each channel's volume and pan separately.
Hardly a week goes by that I don't find a new tool or workflow improvement under Logic's hood. As I find more, I'll let you know.
Ridiculously powerful. Seriously creative.
Live LoopsFor spontaneous composition.
Live Loops is a dynamic way to create and arrange music in real time. Kick off your composition by adding loops, samples, or your recorded performances into a grid of cells. Trigger different cells to play with your ideas without worrying about a timeline or arrangement. Once you find combinations that work well together you can create song sections, then move everything into the Tracks area to continue production and finish your song.
Remix FX
Bring DJ-style effects and transitions to an individual track or an entire mix with a collection of stutters, echoes, filters, and gating effects.
Logic Remote
Control features like Live Loops, Remix FX, and more from your iPad or iPhone using Multi-Touch gestures.
Novation Launchpad
Live Loops supports Launchpad for a tactile experience. Use an 8x8 grid of colorful and expressive pads to dynamically trigger cells, input notes, adjust mixer levels and more.
Step SequencerPure beat poetry.
Step Sequencer is inspired by classic drum machines and synthesizers. Using the Step Sequence editor, quickly build drum beats, bass lines, and melodic parts — and even automate your favorite plug-ins. Add sophisticated variations to your pattern with a wide range of creative playback behaviors. Use Note Repeat to create rolling steps, Chance to randomize step playback, and Tie Steps Together to create longer notes.
Logic RemoteTouch and flow.
Logic Remote lets you use your iPhone or iPad to control Logic Pro on your Mac. Use Multi-Touch gestures to play software instruments, mix tracks, and control features like Live Loops and Remix FX from anywhere in the room. Swipe and tap to trigger cells in Live Loops. And tilt your iPhone or iPad up and down and use its gyroscope to manipulate filters and repeaters in Remix FX.
NewSequence your beats
Program drum patterns and melodic parts from your iPad or iPhone. Create dynamic rhythmic performances, and automate your plug-ins — all with a quick tap of your finger.
Multi-Touch mixing
Control your mix from wherever you are in the room — whether that's next to your computer or on the couch — with Multi-Touch faders.
Pair and play
Use a variety of onscreen instruments, such as keyboards, guitars, and drum pads, to play any software instrument in Logic Pro from your iPad or iPhone.
Key commands
Create at the speed of sound with key commands in Logic Remote. Pm player download. Choose from curated commands for popular workflows, or create your own custom set.
Sampler
We redesigned and improved our most popular plug-in — the EXS24 Sampler — and renamed it Sampler. The new single-window design makes it easier to create and edit sampler instruments while remaining backward compatible with all EXS24 files. An expanded synthesis section with sound-shaping controls brings more depth and dynamics to your instruments. The reimagined mapping editor adds powerful, time-saving features that speed the creation of complex instruments. Use the zone waveform editor to make precise edits to sample start/end, loop ranges, and crossfades. And save hours of tedious editing with new drag-and-drop hot zones.
Quick Sampler
Quick Sampler is a fast and easy way to work with a single sample. Drag and drop an audio file from the Finder, Voice Memos, or anywhere within Logic Pro. Or record audio directly into Quick Sampler using a turntable, microphone, musical instrument, or even channel strips playing in Logic Pro. In a few steps, you can transform an individual sample into a fully playable instrument. And with Slice Mode, you can split a single sample into multiple slices — perfect for chopping up vocals or breaking up and resequencing drum loops.
Drum Synth
This powerful but easy-to-use plug-in creates synthesized drum sounds. Choose from a diverse collection of drum models and shape their sound with up to eight simple controls. Drum Synth is also directly integrated into the bottom of the Drum Machine Designer interface — giving you a focused set of sound-shaping controls.
Drum Machine Designer
Redesigned to be more intuitive and integrated, Drum Machine Designer lets you effortlessly build electronic drum kits. Apply individual effects and plug-ins on each discrete drum pad to experiment with sound design and beat-making in new ways. You can also create a unique layered sound by assigning the same trigger note to two different pads. To help you quickly edit sounds, Quick Sampler and Drum Synth are directly integrated into the Drum Machine Designer interface.
DrummerCompose to the beat of a different percussionist.
Using Drummer is like hiring a session drummer or collaborating with a highly skilled beat programmer. Create organic-sounding acoustic drum tracks or electronic beats with the intelligent technology of Drummer. Choose from dozens of drummers who each play in a different musical genre, and direct their performances using simple controls.
Compositions and PerformancesYour studio is always in session.
Logic Pro turns your Mac into a professional recording studio able to handle even the most demanding projects. Capture your compositions and performances — from tracking a live band to a solo software-instrument session — and flow them into your songs.
The ultimate way to record.
Seamless punch recording. Automatic take management. Support for pristine 24-bit/192kHz audio. Logic Pro makes it all easy to do — and undo. You can create projects with up to 1000 stereo or surround audio tracks and up to 1000 software instrument tracks, and run hundreds of plug-ins. It's all you need to complete any project.
Best Way To Learn Logic Pro X
Get the most out of MIDI.
Logic Pro goes beyond the average sequencer with an advanced set of options that let you record, edit, and manipulate MIDI performances. Transform a loose performance into one that locks tight into the groove using region-based parameters for note velocity, timing, and dynamics. Or tighten up your MIDI performances while preserving musical details like flams or chord rolls with Smart Quantize.
Industry-leading tools
As your song develops, Logic Pro helps organize all your ideas and select the best ones. Group related tracks, audition alternate versions, and consolidate multiple tracks. Lightning-fast click-and-drag comping helps you build your best performance from multiple takes.
Smart Tempo
Go off-script and stay on beat with Smart Tempo, a way to effortlessly mix and match music and beats without worrying about the original tempo. Record freely without a click track. And easily combine and edit MIDI and audio tracks — from vinyl samples to live instruments to multitrack audio stems — with constant or variable tempo.
Flex Time
Quickly manipulate the timing and tempo of your recording with Flex Time. Easily move the individual beats within a waveform to correct drum, vocal, guitar, or any other kind of track without slicing and moving regions.
Flex Pitch
Edit the level and pitch of individual notes quickly and easily with Flex Pitch. Roll over any note and all parameters are available for tweaking.
Track Alternatives
Create alternate versions of a track or multiple grouped tracks, and switch between them at any time to audition different options. Create, store, and select from different edits and arrangements of track regions to make it easier to experiment with various creative ideas.
Takes and Quick Swipe Comping
Click and drag to choose the best sections of each take to create a seamless comp, complete with transition-smoothing crossfades. Save multiple comps and switch among them to pick the one you like best.
Track Stacks
Consolidate multiple related tracks into a single track. Use a Summing Stack as a quick way to create submixes. Or create layered and split instruments.
Project Alternatives
Create as many alternate versions of a project as you'd like, each with its own name and settings but sharing the same assets — efficiently saving storage space. Load any version to make changes without compromising your original.
Track Groups and VCA Faders
Manage large mixes with Track Groups and VCA faders. Assign any selection of channels to a track group, then control the levels or other parameters of all tracks in the group from any single channel in the group.
Automation
Facebook desktop download windows. Easily capture changes to any channel strip or plug-in parameter. Just enable automation, press Play, and make your changes.
Even more pro features in the mix.
Logic Pro is packed with incredible tools and resources to enhance your creativity and workflow as you sharpen your craft — even if you're a seasoned pro.
Graduate from GarageBand.
Logic Remote. Touch and flow.
Best Way To Learn Logic Pro X For Rappers
MainStage
Sound as great onstage as you do in the studio.
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